Gay films 2023

Our 23 Favorite LGBTQ+ Movies of From raunchy comedies to messy love triangles, this year’s queer films were big, bold, and outlandish. This is a list of lesbian, gay, bisexual, transgender or queer -related films released in It contains theatrically released films that deal with important gay, lesbian, bisexual, transgender or queer characters or issues and may have same-sex romance or relationships as a plot device.

These are our picks for the 15 best queer movies of , in descending order, counting down to our favorite queer movie of the year!. List your movie, TV & celebrity picks.

1. Nimona. 2. The Lost Boys. 3. Norwegian Dream.

best gay movies 2024

4. Glitter & Doom. 5. All the Colours of the World Are Between Black and White. 6. Femme. 7. Nuovo Olimpo. 8. Fireworks. 9. Red, White & Royal Blue. Bonus Track. One of the Boys. Fairlane. Sunflower. Humo bajo el agua. My Partner. And more optimistically, comedies like Bottoms and Red, White & Royal Blue offer a light-hearted take on the unique LGBTQ+ experience. This is all to say that we’re spoiled for choice, so in this list, we try to narrow down your options to only the best the year has to offer so far.

By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. But all things created equal, it was a pretty fantastic year to be queer in Hollywood, with a slew of great new titles arriving in theaters and across platforms as diverse voices continued to break through to LGBTQ audiences.

Entries are unranked and listed in chronological order of release, each with an explanation of how each title fits the queer bill and a sales pitch on what makes the project worth checking out. Documentaries have been excluded, but special praise to D. That split-second choice turns out to be the thing that changes both of their lives. Stolevski freely quotes from his own queer media literacy in bonding Kol and Adam in their mutual love of obscure music and movies.

Adam is an idealization of the kind of person that young closeted gay people yearn to connect with, especially those struggling socially who bury themselves in the arts rather than people, who mostly disappoint anyway. The young lovers were the heart of the show from the beginning, but Van and Taissa were especially compelling this time around. Season 2 pits its characters in quite the quandary: How much do they have to change, in order to live a healthy and lengthy life?

Now finding themselves a second time in a mystical place at the end of a foggy bridge, their new temporary home of Schmicago has some slightly different surprises in store. Those new wrinkles make room for a little more darkness, a little more pizzazz, and an ambiance that goes beyond one-size-fits-most. Weisz is all but transcendent as twins Elliot and Beverly in this adaptation of the David Cronenberg film, superbly directed and edited to maximize psychological dread.

If there is a reflection to be found, Monica is there. From his deathbed in , Alfredo recounts his teenaged erotic odyssey through the firehouse across a tableau vivant of exuberantly staged and quite naked choreography. Bridget Everett plays Sam, a native Kansan brought back to her hometown by her ailing, now deceased, sister.

The chemistry Oakley shares with McEwen, who gets the award for best coming-out-to-your-asshole-family scene of the year, across the camera results in one of the most moving queer debuts in recent times. The film is never afraid to follow its characters into dark places, eschewing convenient answers in favor of the bittersweet realities of life. And rather than force fans to read between the lines, the gay romance that forms its emotional core is given room to flourish in plain sight.

Through no fault of queer and trans storytellers, mainstream media and the culture at large only had so much space for trans stories it found understandable and digestible. Debuting in U. This is a movie about a fight club, after all, so fists are often up. There is one particularly bloody, big-scale fight that has clearer and more intricate choreography than most action scenes in big blockbuster movies of the past year.

Though it starts as a genuine desire to protect themselves from a rival school that is literally kidnapping and beating up students free of consequence, one might add , the girls get more out of the club than just good fighting skills. What makes it exceptional: Firstman interrogates his own image as a social media bon vivant in this raunchy, sexually explicit lambasting of gay male life whose target audience will both revile and revere this film.

Their adversaries, the rudos, play easily recognizable bad guys one can also cheer for. Their duels inside the ring display as much artistry as they do physical prowess. Deceptively delicate in appearance, reclaiming stereotypes with colorful defiance, but just as much a brawler with ample technique as the burliest of them. Here, a seemingly carefree rancher played by a smiling Pedro Pascal makes a beeline for the cold-blooded local sheriff the moment he arrives in Bitter Creek a gruff and grumbly Ethan Hawke.

I have fantastic news for the first group. Sex scenes that began as blunt, intense encounters develop into tender, telling moments before turning back again and advancing with added nuance. Hawk and Tim can only disclose their most naked wants and needs while behind closed doors, and without these vivid depictions of their sex life, audiences would be missing out on the urgent, overpowering nature of their desire — a desire that motivates choices beyond their relationship status, as the historical drama surrounding their ardor so obviously denotes.