Is idina menzel gay

Menzel talked about one gay fan's tweet that led to her almost backing out of the film altogether, how LGBT support solidified her success and why she's "excited" that "Frozen" fans are pulling for a lesbian Elsa. Idina Menzel Wants to Show 'Gratitude' to the LGBTQ+ Community with New Album 'Drama Queen' (Exclusive) Menzel tells PEOPLE about returning to her dance music roots and hoping to offer.

Menzel said the film is uplifting and that she's been thinking a lot about the LGBTQ+ community, particularly in the wake of the mass shooting at Club Q in Colorado Springs. Broadway superstar Idina Menzel has spoken to PinkNews about her Pride performances, the bond she has with LGBTQ+ fans, her new album and the extensive queer legacy of hit musical Rent.

Menzel is currently on an unofficial, global Pride tour.

how much did idina menzel get paid for frozen 2

Musical star and Broadway legend Idina Menzel said she has a "profound connection" with the LGBTQ+ community. The year-old performer – recognisable to millions as the voice of Elsa in Frozen. Idina Menzel has been capturing sapphic attention on Broadway for decades. As bisexual performance artist Maureen in Rent she exasperated girlfriend Joanne and became a root for a generation of queer theatre kids.

And as the original Elphaba in Wicked she gave Galinda the Good gay panic and inspired outsiders to defy gravity. There she meets two scientists, the open-hearted hippie Finn Michael Park and the serious-minded Becca Khaila Wilcoxon. Jesse arrives in northern California mere weeks before the one year anniversary of the death of her son Zachary Noah Piser and she processes her grief through her newfound connection to the trees.

The appeal of this material is understandable for Menzel who is given the opportunity to show big emotions and sing a plethora of big songs. Jesse wants to do something, Finn says yes, Becca says no, they argue, and eventually Finn and Jesse get their way. There is no development of these questions throughout the show — at least until the end — but rather the same conversations happening again and again.

The first time Jesse asks to climb, she suggests she could work for Finn and Becca. This would stretch the bounds of believability but not as much as what they eventually allow this woman, not attached to their work, to do on their watch. The birthday flashback is especially grating with a rap from the son teaching us nothing about who he was or anything about the family dynamic.

Telling instead of showing is how the entire play operates.

This ends up being a perfect microcosm of the ways so much liberal art has failed in recent years in its attempts at inclusivity. There have been a lot of great musicals over the years with middling books. And with this vocal talent, one might wonder if the failures of the script are secondary to the power of the music. Unfortunately, the music by Kate Diaz, with lyrics by Diaz and Landau, is as inconsistent as the show itself.

And yet certain numbers fall short even of this. Alas, Redwood is a missed opportunity to tell a meaningful story about grief, about nature preservation, and about a lesbian relationship. All it has is its stagecraft, its cast, and the relief of a runtime under two hours. Redwood is now playing on Broadway. Drew is a Brooklyn-based writer, filmmaker, and theatremaker. She is a Senior Editor at Autostraddle with a focus in film and television, sex and dating, and politics.

She is currently working on a million film and TV projects mostly about queer trans women. Find her on Twitter and Instagram. Ow— Good description. This is how a lot of content by not so good female authors feels. You've decided to leave a comment. That's fantastic. Please keep in mind that comments are moderated by the guidelines laid out in our comment policy. Let's have a personal and meaningful conversation and thanks for stopping by!

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